Symbols
The provincial seal shows the Phra Baromathat Chedi of the Wat Phra Mahathat Voramahavihan, one of the most important historical sites in southern Thailand. According to the city chronicle it was already built in 311, but archaeology dates it to the 13th century. The chedi is surrounded by the animals of the Chinese zodiac in the seal. The twelve animals represent the twelve Naksat cities or city-states which were tributary to the Nakhon Si Thammarat kingdom: the mouse of Saiburi; the ox of Pattani; the tiger of Kelantan; the rabbit of Pahang (actually a city in Pahang which is said to be submerged by a lake now); the nāga of Kedah; the snake of Phatthalung; the horse of Trang; the goat of Chumphon; the monkey of Bantaysamer (might be Chaiya, or a town in Krabi Province); the rooster of Sa-ulau (unidentified city, might be Songkhla, Kanchanadit or Pla Tha); the dog of Takua Pa and a pig of Kraburi.
The provincial flower is the Golden Shower Tree (Cassia fistula), and the provincial tree is Millettia atropurpurea.
The provincial slogan is เมืองประวัติศาสตร์ พระธาตุทองคำ ชื่นฉ่ำธรรมชาติ แร่ธาตุอุดม เครื่องถมสามกษัตริย์ มากวัดมากศิลป์ ครบสิ้นกุ้งปู, which translates to A historical town, the golden Phra That, plentiful minerals, three-metal nielloware, numerous temples, abundant shellfish.
Read more about this topic: Nakhon Si Thammarat Province
Famous quotes containing the word symbols:
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“If the Americans, in addition to the eagle and the Stars and Stripes and the more unofficial symbols of bison, moose and Indian, should ever need another emblem, one which is friendly and pleasant, then I think they should choose the grapefruit. Or rather the half grapefruit, for this fruit only comes in halves, I believe. Practically speaking, it is always yellow, always just as fresh and well served. And it always comes at the same, still hopeful hour of the morning.”
—Johan Huizinga (1872–1945)
“That way of inspiration
is always open,
and open to everyone;
it acts as go-between, interpreter,
it explains symbols of the past
in to-day’s imagery.”
—Hilda Doolittle (1886–1961)