Nakaji Yasui - References and Further Reading

References and Further Reading

• (Japanese) déjà-vu, vol. 12 (featuring Nakaji Yasui and the 1930s (特集「安井仲治と1930年代」), published by Photo Planet 1993, The exhibition catalogue for Nakaji Yasui at Watarium. (No ISBN.)
• Kaneko Ryūichi. Modern Photography in Japan 1915-1940. San Francisco: Friends of Photography, 2001. ISBN 0-933286-74-0.
• "Nakaji Yasui". Exhibition catalogue. Hyōgo Prefectural Museum of Modern Art and Seibu Contemporary Art Gallery, 1987. (No ISBN.)
• (Japanese) Nakaji Yasui (安井仲治) Nihon no shashinka (日本の写真家, "Japanese photographers"), vol. 9. Tokyo: Iwanami Shoten, 1999. ISBN 4-00-008349-X
• Tucker, Anne Wilkes, et al. The History of Japanese Photography. New Haven: Yale University Press, 2003. ISBN 0-300-09925-8.
• (Japanese) Yasui Nakaji: Modanizumu o kakenuketa tensai shashinka (安井仲治　モダニズムを駆けぬけた天才写真家, Nakaji Yasui, genius of modern Japanese photography). Foto Musée. Tokyo: Shinchōsha, 1994. ISBN 4-10-602404-7.
• Yasui Nakaji shashin sakuhinshū (安井仲治写真作品集, "Nakaji Yasui, photographs"). Kyoto, 1942. An unbound portfolio that was privately produced by a group of photographers headed by Bizan Ueda (ostensibly in an edition of 50, although hors série examples also exist) and never offered for sale. Facsimile edition: Tokyo: Kokushokankōkai, 2005. ISBN 4-336-04490-2. The facsimile edition comes with short commentaries in both Japanese and English. (The entire portfolio is reproduced in miniature on pp. 278–84 of Nakaji Yasui: Photographer 1903–1942.)
• Tanjō hyakunen: Yasui Nakaji: Shashin no subete (誕生百年：安井仲治写真：写真のすべて) / Nakaji Yasui 1903–1942: The Photography. 2004. No publisher specified, but presumably one or more of the Shoto Museum of Art (Tokyo), the Nagoya City Art Museum (Nagoya), and Kyodo News (Tokyo). Paperback. Also: Yasui Nakaji shashinshū (安井仲治写真集) / Nakaji Yasui: Photographer 1903–1942. Tokyo: Kyodo News, 2004. ISBN 4-7641-0542-X. Hardback. The catalogue for the Shoto/Nagoya exhibition of 2004/2005; text in both Japanese and English. Despite their different titles, the two books seem to be virtually identical.