Career
Nadira rose to cinematic prominence with the 1952 film Aan with her role as a savage princess. She did a bold scene in the movie. In 1955, she played a rich socialite named Maya in Shree 420. She played lead roles in a number of films such as Dil Apna Prit Parayee, Hanste Zakhm, Amar Akbar Anthony and Pakeezah. She was often cast as a temptress or vamp, and played opposite the chaste heroines then favored by the Bollywood film industry.
Nadira won a Filmfare Award for Best Supporting Actress, her role as Julie's mother Margaret, 'Maggie', in the 1975 film Julie. During the 1980s and 1990s, she entered a new phase of her career, playing elderly women as a supporting actress. Her last role was in the film Josh (2000). In her longtime career, because of her western attire, her character in most of her memorable movies was Christian or Anglo-Indian. One notable exception can be found in the movie Aan, opposite Dilip Kumar, where she played a Rajput princess. Also, in Shree 420 there was no religious affiliation shown explicitly: her character was named Maya, which is not necessarily a Christian name. In fact, Maya is a quite common name in India, coming from the Sanskrit word for illusion.
She was well paid for her efforts and was one of the first Indian actresses to own a Rolls-Royce.
Read more about this topic: Nadira (actress)
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)