NAACP Image Award For Outstanding Actor in A Drama Series

NAACP Image Award For Outstanding Actor In A Drama Series

The NAACP Image Award winners for Outstanding Actor in a Drama Series:

  • Most Wins:
  • Malik Yoba, Eriq La Salle, Hill Harper have won this category 3 times.
  • Most Nominations
Rank 1st 2nd 3rd 4th 5th
Artist Andre Braugher
Hill Harper
Jesse L. Martin
Eriq La Salle
Steve Harris Dennis Haysbert
Blair Underwood
Yaphet Kotto
Anthony Anderson
Total Nominations 8 nominations 7 nominations 6 nominations 5 nominations 4 nominations

Read more about NAACP Image Award For Outstanding Actor In A Drama Series:  Winners/Nominees

Famous quotes containing the words image, award, outstanding, actor, drama and/or series:

    As good almost kill a man as kill a good book; who kills a man kills a reasonable creature, God’s image; but he who destroys a good book, kills reason itself, kills the image of God, as it were in the eye.
    John Milton (1608–1674)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    I recently learned something quite interesting about video games. Many young people have developed incredible hand, eye, and brain coordination in playing these games. The air force believes these kids will be our outstanding pilots should they fly our jets.
    Ronald Reagan (b. 1911)

    When an actor has money, he sends not letters, but telegrams.
    Anton Pavlovich Chekhov (1860–1904)

    Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.
    Henri-Frédéric Amiel (1821–1881)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)