Reception
Myst Online was generally well received by critics. The game has average critic scores of 77% and 83% at aggregate sites Metacritic and Game Rankings, respectively. The Age's varied visuals and strong aesthetic design were praised, as were the ambient sounds and music. The world that persistently changes depending on player actions was also lauded as more sophisticated than other MMOs.
Complaints from Uru: Ages Beyond Myst carried over to Myst Online; for example, Robert Washburne of JustAdventure found that the interface was still clunky. Charles Onyett of IGN said that those who had played through the previous Uru content would not find many changes: "As a result, Myst veterans uninterested in plugging through Uru's content again will be left with a dearth of things to actually do, shifting the onus of gameplay creation to the community." Onyett continued that the only reason to subscribe to the game was the dedicated fan community and the potential for the game to expand. Sarah Borger of GamesRadar noted that most puzzles could be completed without the help of other players, making the game "a pretty chat room".
Read more about this topic: Myst Online: Uru Live
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)