Literary and Inscriptional
The most famous of such manuscripts is the Sritattvanidhi, a voluminous work of 1500 pages prepared under the patronage of Mummadi Krishnaraja Wodeyar. This pictorial digest is a compendium of illustrations of gods, goddesses and mythological figures with instructions to painters on an incredible range of topics concerning composition placement, colour choice and mood. The ragas, seasons, eco-happenings, animals, and plant world are also effectively depicted in these paintings as co-themes or contexts.
Other Sanskrit literary sources such as the Visnudharmottara Purana, Abhilasitarthacintamani and Sivatatvaratnakara also throw light on the objectives and principles of painting, methods of preparing pigments, brushes and the carrier, qualifications of the citrakar (painter) the principles of painting and the technique to be followed.
Read more about this topic: Mysore Painting
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—Charles Dickens (1812–1870)