Plot
This film is about the daily lives of the Yamada family: Takashi and Matsuko (the father and mother), Shige (Matsuko's mother), Noboru (aged approximately 13, the son), Nonoko (aged approximately 5, the daughter), and Pochi (the family dog). It has a significantly different "feel" to it than the other Studio Ghibli films, not only because of its different style of animation, but also because it is not a contiguous plot, but rather a series of vignettes, each preceded by a title such as "Father as Role Model", "A Family Torn Apart" or "Patriarchal Supremacy Restored".
These vignettes cover such issues as losing a child in a department store, the relationships between father and son, or husband and wife, the wisdom of age, getting one's first girlfriend and many more. Each is presented with humour, presenting a very believable picture of family life which crosses cultural boundaries. The relationships between Matsuko, Takashi and Shige are particularly well observed, with Shige giving advice and proverbs to all the family members, and having a great strength of character which far outweighs Matsuko's. Takashi and Matsuko's relationship is often the focus of the episodes, their rivalries, such as arguing about who has control of the television, their frustrations and their difficulties, but the overriding theme is their love for one another despite their flaws, and their desire to be the best parents possible for their children.
For a much more detailed plot synopsis, covering every episode in detail see: plot synopsis.
Read more about this topic: My Neighbors The Yamadas
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)