Playing
The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them, or with the handle under the chin (like a violin). The saw is usually played with the serrated edge, or teeth facing the body, though some players face them away. Some saw players file down the teeth for added comfort. To sound a note, a sawist first bends the blade into an S-curve. The parts of the blade that are curved are damped from vibration, and do not sound. At the center of the S-curve a section of the blade remains relatively flat. This section, the "sweet spot", can vibrate across the width of the blade, producing a distinct pitch: the wider the section of blade, the lower the sound. Sound is usually created by drawing a bow across the back edge of the saw at the sweet spot, or sometimes by striking the sweet spot with a mallet. The sawist controls the pitch by adjusting the S-curve, making the sweet spot travel up the blade (toward a thinner width) for a higher pitch, or toward the handle for a lower pitch. Harmonics can be created by playing at varying distances on either side of the sweet spot. Sawists can add vibrato by shaking one of their legs or by wobbling the hand that holds the tip of the blade. Once a sound is produced, it will sustain for quite a while, and can be carried through several notes of a phrase.
Read more about this topic: Musical Saw
Famous quotes containing the word playing:
“A daughter of Eve ... had better be fifty leagues off—or in her warm bed—or playing with a case-knife—or any thing you please—than make a man the object of her attention, when the house and all the furniture is her own.”
—Laurence Sterne (1713–1768)
“The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.”
—Orson Welles (1915–1984)
“Guilt is the most destructive of all emotions. It mourns what has been while playing no part in what may be, now or in the future. Whatever you are doing, however, you are coping, if you listen to your child and to your own feelings, there will be something you can actually do to make things right.”
—Penelope Leach (20th century)