Musical Instrument - Definition and Basic Operation

Definition and Basic Operation

A musical instrument is broadly defined as any device created or adapted for the purpose of making musical sounds. Once humans moved from making sounds with their bodies—for example, by clapping—to using objects to create music from sounds, musical instruments were born. Primitive instruments were probably designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the artistic pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the modern notion of "making music".

Musical instruments are constructed in a broad array of styles and shapes, using many different materials. Early musical instruments were made from "found objects" such a shells and plant parts. As instruments evolved, so did the selection and quality of materials. Virtually every material in nature has been used by at least one culture to make musical instruments. One plays a musical instrument by interacting with it in some way—for example, by plucking the strings on a string instrument.

Read more about this topic:  Musical Instrument

Famous quotes containing the words definition, basic and/or operation:

    It is very hard to give a just definition of love. The most we can say of it is this: that in the soul, it is a desire to rule; in the spirit, it is a sympathy; and in the body, it is but a hidden and subtle desire to possess—after many mysteries—what one loves.
    François, Duc De La Rochefoucauld (1613–1680)

    The basic tool for the manipulation of reality is the manipulation of words. If you can control the meaning of words, you can control the people who must use the words.
    Philip K. Dick (1928–1982)

    An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique and consequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.
    Henri Bergson (1859–1941)