Gesture in Indian Vocal Music
Further information: Music of IndiaIndian vocalists move their hands while improvising melody. Although every vocalist has an idiosyncratic gestural style, the motion of the hand and voice are connected through various logics, and many students gesturally resemble their teachers. Nikki Moran, at the University of London, has done research on this topic, and it is one of the subjects of Martin Clayton and Laura Leante's Musical Experience Project at the Open University.
Clayton has published a paper on gestural interaction in Indian music performance: "Time, Gesture and Attention in a Khyal Performance." Asian Music, 38 (2), 71–96.
Matt Rahaim, a vocalist and ethnomusicologist, has published an article on the relationship between vocalization and gesture in Indian vocal music: “Gesture and Melody in Indian Vocal Music” Gesture 8(3): 325–347. Rahaim's work approaches gesture and vocalization as parallel expressions of melody, investigates isomorphisms between gesture space and raga space, and studies the inheritance of "paramparic bodies"--melodic/gestural dispositions handed down through teaching lineages.
Read more about this topic: Musical Gesture
Famous quotes containing the words gesture, indian, vocal and/or music:
“After years of vain familiarity, some distant gesture or unconscious behavior, which we remember, speaks to us with more emphasis than the wisest or kindest words. We are sometimes made aware of a kindness long passed, and realize that there have been times when our Friends’ thoughts of us were of so pure and lofty a character that they passed over us like the winds of heaven unnoticed; when they treated us not as what we were, but as what we aspired to be.”
—Henry David Thoreau (1817–1862)
“Every New Englander might easily raise all his own breadstuffs in this land of rye and Indian corn, and not depend on distant and fluctuating markets for them. Yet so far are we from simplicity and independence that, in Concord, fresh and sweet meal is rarely sold in the shops, and hominy and corn in a still coarser form are hardly used by any.”
—Henry David Thoreau (1817–1862)
“Prayer is
The world in tune,
A spirit-voice,
And vocal joys,
Whose echo is Heaven’s bliss.”
—Henry Vaughan (1622–1695)
“This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air; thence have I followed it,
Or it hath drawn me rather.”
—William Shakespeare (1564–1616)