Musical Fountain - Fully Automated Musical Fountains

Fully Automated Musical Fountains

While all pre-programmed musical fountain shows involve computerized show control systems, the use of computer technology to spontaneously "self-choreograph" a fountain to random musical input is novel. Possibly the most sophisticated full-scale implementations in use are at the Miracle Mile Shops in Las Vegas, Washington Park (Cincinnati, Ohio), and Washington Harbour in the District of Columbia, using a system developed by H2Oarts.com. Unlike conventional musical fountains, which must be manually pre-programmed moment-to-moment, the H2Oarts' Musical Water Feature Automation System uses the venue's own live background music to animate the water and lights in real time. Beyond basic light organ-style responses to loudness, bass, and treble, H2Oarts employs rhythm, dynamic range, transient (acoustics), and other subtler components of music to control water and light.

Read more about this topic:  Musical Fountain

Famous quotes containing the words fully, automated, musical and/or fountains:

    ... it is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self—never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardour of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.
    George Eliot [Mary Ann (or Marian)

    Nature is a self-made machine, more perfectly automated than any automated machine. To create something in the image of nature is to create a machine, and it was by learning the inner working of nature that man became a builder of machines.
    Eric Hoffer (1902–1983)

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    I’m hurt, hurt and humiliated beyond endurance, seeing the wheat ripening, the fountains never ceasing to give water, the sheep bearing hundreds of lambs, the she-dogs, until it seems the whole country rises to show me its tender sleeping young while I feel two hammer-blows here instead of the mouth of my child.
    Federico García Lorca (1898–1936)