Classical Music of Uzbekistan
The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as six maqams and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low register and gradually ascending to a climax before calming back down to the beginning tone.
After Turkestan became part of tsarist Russia in the 19th century first attempts were taken to record national melodies of Turkestan. Russian musicians helped preserve these melodies by introducing musical notation in the region.
In the 1950s, Uzbek folk music became less popular, and the genre was barred from radio stations by the Soviets. They did not completely dispel the music. Although banned, folk musical groups continued to play their music in their own ways and spread it individually.
After Uzbekistan gained independence from the USSR in the early 1990s public interest revived in traditional Uzbek music. Nowadays Uzbek television and radio stations regularly play traditional music.
Sherali Joʻrayev is probably the most famous and influential singer of traditional Uzbek music in Uzbekistan. However, he has fallen out of favor with the Uzbek government and the latter has banned his performances on all Uzbek TV channels as well as his public performances since 2002. He still performs at Uzbek wedding parties and in other countries to popular acclaim.
In recent years, singers such as Yulduz Usmonova and Sevara Nazarkhan have brought Uzbek music to global audiences by mixing traditional melodies with modern rhythms and instrumentation.
Read more about this topic: Music Of Uzbekistan
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