Industrial Music
Industrial music was an experimental music style, often including electronic music, that drew on transgressive and provocative themes. The term was coined in the mid-1970s to describe Industrial Records artists. It blended avant-garde electronics experiments (including tape music, musique concrète, white noise, synthesisers, sequencers) and a punk sensibility. The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include the Sheffield based groups Throbbing Gristle and Cabaret Voltaire. While the term was initially self-applied by a small coterie of groups and individuals associated with Industrial Records, it broadened to include artists influenced by the original movement or using an "industrial" aesthetic.
Read more about this topic: Music Of The United Kingdom (1970s)
Famous quotes containing the words industrial and/or music:
“... men and women are not yet free.... The slavery of greed endures. Little child workers, the hope of the future, are sacrificed to industry. Young men are sent out by the billion to die for profits.... We must destroy industrial slavery and build industrial democracy.... The people everywhere must come into possession of the earth [second, third, and fourth ellipses in source].”
—Sara Bard Field (1882–1974)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)