Music of The Bahamas - Junkanoo

The word junkanoo is said to be derived from a Ghanaian leader, John Connu, or from the Qujo supreme deity (Canno) and ancestral spirits (jannanin). The junkanoo was formerly practiced in North Carolina and remnants still exist in Belize. It is most well known, though, from Nassau and Freeport. Since the 1950s the influence of American culture has increased, mainly through TV and radio broadcasts from Florida stations, and other Caribbean styles have made inroads: calypso, reggae and soca, from Jamaica, Cuba, Trinidad, and other islands. Tourism has also had an impact, bringing in Japanese, European and North Americans with their attendant forms of cultural expression. In this milieu more traditional Bahamas performers such as Joseph Spence, have still enjoyed successful careers playing junkanoo, Christian hymns and the ant'ems of the local sponge fisherman, which include "Sloop John B", later made famous by The Beach Boys. Jimmy Spice Curry was the first Bahamian artist to infuse Junkanoo flavor into Hip Hop and Pop songs. .

Junkanoo's origins are obscure and much-debated. Researchers like E. Clement Bethel have studied the issue extensively, and likely conclusions include that African slaves were allowed celebrations only around Christmas-time, and chose to celebrate John Connu, a headman from 18th century Africa. Another theory is that the term derives from scrap metal or other objects (junk) used to create the distinctive goombay drum. Similar celebrations once existed cross the Caribbean and in North Carolina, but are now virtually extinct except in the Bahamas and Belize.

In 1973, the year the Bahamas achieved independence from the United Kingdom, black professionals of the middle and upper classes began to dominate junkanoo celebrations. Costuming and competitions became more complex and commonplace, and soon became a tourist draw.

Aside from being a type of drum, goombay is also a percussion music made famous by Alphonso 'Blind Blake' Higgs, who played to tourists arriving at Nassau International Airport for several years. Rake-and-scrape music is a unique type of instrumental music made by bending a saw and scraping with a small object, most typically a screwdriver; it is used to accompany dances derived from European forms like polka and waltz. Rake-and-scrape's popularity has been declining in recent years, but performers like Lassie Do and the Boys continue to keep the tradition alive. Christian rhyming spirituals and the ant'ems of sponge fisherman are now mostly dead traditions, decimated by the arrival of pop music, a 1930s sponge blight and other causes.

E. Clement Bethel's master's thesis on traditional Bahamian music was adapted for the stage by his daughter, Nicolette Bethel and Philip A. Burrows. Music of The Bahamas was first performed at the Edinburgh Festival Fringe in 1991, and was revived in 2002 for fresh Bahamian audiences. A recording of that show is available for sale from Ringplay Productions.