Classical Iraqi Music
Iraqi classical music necessitates some discussion of the social environment, as well as references to the poetry. Poetry is always rendered clearly. Poetry is the art of the Iraqis, and sung poetry is the finest of all. In Baghdad from 760-1260, writers spurned musical notation. The music is melodically modal, and moves in a stepwise motion with repeated notes. Use of the lower end of a melodic range is characteristic, as is the use of silence; one listens through the silence. Following a cadence, the singer moves up to the next range of pitches. An arch shape is discernible, and the work ends in the original mode.
Singers of the Baghdad Court were praised for their excellence in composition, their knowledge of history and songs, and their ornaments and innovations. There was support for female singers and orators, such as the beautiful Arib, a skilled poetess, calligrapher, lutenist, composer, and backgammon player who wrote more than 1,000 songs. The common instrument (comparable in popularity to the piano or violin in the west) is the oud. Classical Iraqi music is identifiable by the genre/canon, and by how it is performed.
Historically, music would have been played for gatherings of men. With the advent of the sound recording industry, things have changed somewhat. Today one invites musicians to perform at weddings; by the first quarter of the century, concerts were being staged at concert venues.
Read more about this topic: Music Of Iraq
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