Religious Music
Monks playing dungchen, Dechen Phodrang monastic school, ThimphuBhutan was first united in the 17th century, during the reign of Shabdrung Ngawang Namgyal (1594–1652); the same period saw a great blossoming of folk music and dance. Religious music is usually chanted, and its lyrics and dance often reenact namtars, spiritual biographies of saints, and feature distinctive masks and costumes. Today, Bhutan has a robust tradition of monastic song and music not normally heard by the general public. The language used in these lyrics is generally Chöke.
- Cham
The Cham dance is one of the most conspicuous religious musical subgenres in Bhutan, and is shared among Tibetan Buddhists in Tibet and in other countries, having roots in the 8th century. Lama and founder of Bhutan Shabdrung Ngawang Namgyal is also credited with introducing many masked dances into Bhutanese tradition. Performed during modern Bhutanese tsechus (festivals), cham dances act both to achieve enlightenment and to destroy evil forces in a sort of purification ritual. Ordinary people watch cham dances in order to receive a spiritual benefit and merit. The music and choreography of the cham dance are heavily associated with Tibetan Buddhism, however some common features derive directly fron the Bön religion. The Dramyin Cham in particular is a focal point of many modern tsechus.
Read more about this topic: Music Of Bhutan
Famous quotes containing the words religious and/or music:
“Yet the New Testament treats of man and mans so-called spiritual affairs too exclusively, and is too constantly moral and personal, to alone content me, who am not interested solely in mans religious or moral nature, or in man even.”
—Henry David Thoreau (18171862)
“To know whether you are enjoying a piece of music or not you must see whether you find yourself looking at the advertisements of Pears soap at the end of the libretto.”
—Samuel Butler (18351902)