The music of ancient Rome was a part of Roman culture from earliest times. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Song (carmen) was an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa and Gaul became a part of Roman culture.
Music accompanied spectacles and events in the arena, and was part of the performing arts form called pantomimus, an early form of story ballet that combined expressive dancing, instrumental music and a sung libretto.
Read more about Music Of Ancient Rome: Musical Notation, Instruments, Music in Society, Discography
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“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)
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—Ralph Waldo Emerson (1803–1882)
“Let Rome in Tiber melt and the wide arch
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Kingdoms are clay; our dungy earth alike
Feeds beast as man. The nobleness of life
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On pain of punishment, the world to weet
We stand up peerless.”
—William Shakespeare (1564–1616)