The Oxford Companion to Music defines music criticism as 'the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres'. In this sense it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. (See music journalism).
Read more about Music Criticism: Nature of Music Criticism
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“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)
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