Writing and Development
With Carey in the captain's chair, having more control than she had on any other album, she took the album in a new direction, alongside Afanasieff. For Carey's third studio effort, she enrolled the help of a range of songwriters, as well as record producers. Aside from Afanasieff, Kenneth "Babyface" Edmonds, a man who would collaborate with Carey often in the near future, also took part in the project. Babyface, who helped produce much of the album, also co-wrote a track with Carey titled "Never Forget You", a song that was released as a B-side to "Without You" exclusively in the United States. The album, which consisted mostly of slower ballads (with the exception of "Dreamlover" and "Now That I Know"), contained collaborations with some carry-on producers and writers from Emotions. Of these were Clivillés & Cole (of C+C Music Factory), who co-wrote the track "Now That I Know", a danceable pop ballad, which used similar formulas and synthesizers from tracks on Emotions. Another writer–producer that worked on the album was David Hall, who with Carey wrote the U.S. single "Dreamlover".
One of the noticeable differences from Music Box and Carey's previous albums was its sound. The album was described by Afanasieff as a softer and more pop-oriented album, "filling the songs with air", and allowing far more space in the overall sound. Another noticeable change was in the album's production. When Mariah Carey was released, critics took notice of its "overly produced" and "studio perfect" quality, where in comparison, Emotions maintained a "raw, live sound." Music Box however, fell in between the two, a decision made by Carey during the album's production. She would layer each track with live backing vocals, so not to sound too overly produced, but still kept the inclusion of musical synthesizers.
Read more about this topic: Music Box (Mariah Carey Album)
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