The Museum Planning Area is an urban planning area in the Central Region of Singapore. It is located in the area known as the Civic District. The area plays a "bridging role" between the Orchard Street area and the Downtown Core, which necessitates proper transport networks for vehicles, pedestrians and public transport. Due to the sheer size of green areas in the Planning Area, the Urban Redevelopment Authority (URA) has designated it a 'green lung' in the Central Area. However, the Museum Planning Area is also home to cultural and commercial activities. Around 14% of the area is available for future development, making it a hotbed for new infrastructure and buildings. Despite the elaborate plans for the area, the URA was criticised for not materializing the plans soon enough.
Read more about Museum Planning Area: History, Geography, Institutions, Residential Development, Commercial Development, Transport
Famous quotes containing the words museum, planning and/or area:
“Soaked by the sparkling waters of America.”
—Hawaiian saying no. 2740, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“In the planning and designing of new communities, housing projects, and urban renewal, the planners both public and private, need to give explicit consideration to the kind of world that is being created for the children who will be growing up in these settings. Particular attention should be given to the opportunities which the environment presents or precludes for involvement of children with persons both older and younger than themselves.”
—Urie Bronfenbrenner (b. 1917)
“Many women are reluctant to allow men to enter their domain. They don’t want men to acquire skills in what has traditionally been their area of competence and one of their main sources of self-esteem. So while they complain about the male’s unwillingness to share in domestic duties, they continually push the male out when he moves too confidently into what has previously been their exclusive world.”
—Bettina Arndt (20th century)