Museum Of Jewish Heritage
The Museum of Jewish Heritage, located in lower Manhattan, is a living memorial to those who perished in the Holocaust. The Museum honors those who died by celebrating their lives – cherishing the traditions that they embraced, examining their achievements and faith, and affirming the vibrant worldwide Jewish community that is their legacy today. The building, designed by Roche-Dinkeloo, is topped by a pyramid structure called the Living Memorial to the Holocaust.
Since the Museum first opened its doors in 1997, visitors of all ages and backgrounds have gained a perspective on 20th and 21st century Jewish history and heritage. Now in its second decade, the Museum has welcomed more than 1.5 million visitors from all over the world.
The two Biblical quotes that define the Museum’s mission – “Remember, Never Forget” and “There Is Hope For Your Future” – also define the Museum's perspective on the events of the 20th and 21st century Jewish experience. Although the Museum centers on life before, during, and after the Holocaust, the obligation to remember is enriched and enhanced by a commitment to the principles of social justice, education, and culture in the Jewish community and beyond.
Included in the Museum are special exhibitions, public programming, and contemplative spaces, which are intended to enrich the visitor experience.
Read more about Museum Of Jewish Heritage: History
Famous quotes containing the words museum of, museum, jewish and/or heritage:
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“A rat eats, then leaves its droppings.”
—Hawaiian saying no. 85, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish or a German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making “ladies” dresses or artificial flowers for the family to purchase.”
—Stephanie Coontz (20th century)
“Flowers ... that are so pathetic in their beauty, frail as the clouds, and in their colouring as gorgeous as the heavens, had through thousands of years been the heritage of children—honoured as the jewellery of God only by them—when suddenly the voice of Christianity, counter-signing the voice of infancy, raised them to a grandeur transcending the Hebrew throne, although founded by God himself, and pronounced Solomon in all his glory not to be arrayed like one of these.”
—Thomas De Quincey (1785–1859)