Murray Melvin - Selected Television Performances

Selected Television Performances

  • Salesman SMALL FISH ARE SWEET Dir. Alan Clarke
  • Lupin THE DIARY OF A NOBODY (Grossmith’s) Dir. Ken Russell
  • The Dauphin ST. JOAN (Shaw) Dir. Warris Hussein
  • Turgis ANGEL PAVEMENT (J.B. Priestley ) Dir. Paddy Russell
  • The Teddy Boy PARADISE SREET SERIES Dir. Shaun Sutton
  • Bertold HENRY IV (Pirandello) Dir. Michael Hayes
  • The Reporter ISADORA DUNCAN Dir. Ken Russell
  • Thumb THE MEMORANDUM (Vaclav Havel ) Dir. James Firman
  • Hoopdriver THE WHEELS OF CHANCE ( H.G.Wells) Dir. Christopher Burstell
  • Robert Lovell THE RIME OF THE ANCIENT MARINER Dir. Ken Russell
  • Nathaniel Giles THE BALLAD OF SALOMAN PAVEY (Taylor) Dir. Richard Bramall
  • Don Pietro THE LITTLE WORLD OF DOM CAMILLO Dir. Peter Drummond
  • The Devil THE SOLDIERS TALE (Stravinsky) Dir. Peter Adam
  • Spirits of Christmas A CHRISTMAS CAROL (Thea Musgrave) Dir. Michael Rennison
  • Jack Spratt BULMAN Dir. Charlie Nairn
  • The Hermit WILLIAM TELL Dir. Mai Zetterling
  • Ignatius TEABAG – Surprises Dir. Neville Green
  • The Clerk DOOMSDAY GUN Dir. Robert Young
  • Roger Parry CONE ZONES – ONE FOR THE MONEY Dir. Neville Green
  • Lord Shaftesbury ENGLAND MY ENGLAND. Dir. Tony Palmer
  • Lucius OSCARS ORCHESTRA – Cartoon Dir. Tony Collingwood
  • The Architect THE VILLAGE. (Jim Cartwright ) Dir. Sara Sugarman
  • Delamere BUGS Dir. Matthew Evans
  • Lionel JONATHAN CREEK Dir. Sandy Johnson
  • Caravaggio STAR HUNTER SERIES Dir. Dan d’Or
  • Da Ponte THE GENIUS OF MOZART Dir. Andy King-Dobbs
  • King of the Knight TOM’S CHRISTMAS TREE Dir. Robert Worley
  • Librarian THE VILLAGE – HEZIBAH Dir. Robert Sigl
  • Billis Manger TORCHWOOD Dir. Ashley Way

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Famous quotes containing the words selected, television and/or performances:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)