Multi-sport Event - Audience

Audience

Since the establishment of the Olympics, most serial multi-sport events have been organized for specific audiences and participating countries or communities. These affiliations include:

  • regional, such as the East Asian Games and the South American Games
  • political, such as the Spartakiad and the GANEFO
  • historic or historicultural roots, such as the Commonwealth Games (for members of the Commonwealth of Nations) and the Jeux de la Francophonie (for members of La Francophonie)
  • ethnocultural or ethnoreligious, such as the Pan-Armenian Games (for ethnic communities of Armenians both in Armenia and in other countries) and the Maccabiah Games (for communities of Jews of both ethnic and religious origins)
  • religious, such as the Islamic Solidarity Games and the previously mentioned Maccabiah Games
  • occupational, such as the Military World Games, the World Police and Fire Games and the Universiade
  • physical disabilities, such as the Paralympics, the Deaflympics and the Special Olympics World Games
  • human age, such as the World Masters Games, Commonwealth Youth Games and the Senior Olympics
  • gender and sexual orientation, such as the Women's Islamic Games and the Gay Games

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Famous quotes containing the word audience:

    “Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of “quaint,” and cultivated people become interested in it, and finally it begins to take on the archaic dignity of the primitive.”
    —Northrop Frye (b. 1912)

    “Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character of the speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.”
    —Aristotle (384–323 B.C.)

    “The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.”
    —Alfred Jarry (1873–1907)