Multi-sport Event - Audience

Audience

Since the establishment of the Olympics, most serial multi-sport events have been organized for specific audiences and participating countries or communities. These affiliations include:

  • regional, such as the East Asian Games and the South American Games
  • political, such as the Spartakiad and the GANEFO
  • historic or historicultural roots, such as the Commonwealth Games (for members of the Commonwealth of Nations) and the Jeux de la Francophonie (for members of La Francophonie)
  • ethnocultural or ethnoreligious, such as the Pan-Armenian Games (for ethnic communities of Armenians both in Armenia and in other countries) and the Maccabiah Games (for communities of Jews of both ethnic and religious origins)
  • religious, such as the Islamic Solidarity Games and the previously mentioned Maccabiah Games
  • occupational, such as the Military World Games, the World Police and Fire Games and the Universiade
  • physical disabilities, such as the Paralympics, the Deaflympics and the Special Olympics World Games
  • human age, such as the World Masters Games, Commonwealth Youth Games and the Senior Olympics
  • gender and sexual orientation, such as the Women's Islamic Games and the Gay Games

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Famous quotes containing the word audience:

    “Dining-out is a vice, a dissipation of spirit punished by remorse. We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them.”
    —Cyril Connolly (1903–1974)

    “The problem of the novelist who wishes to write about a man’s encounter with God is how he shall make the experience—which is both natural and supernatural—understandable, and credible, to his reader. In any age this would be a problem, but in our own, it is a well- nigh insurmountable one. Today’s audience is one in which religious feeling has become, if not atrophied, at least vaporous and sentimental.”
    —Flannery O’Connor (1925–1964)

    “There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
    —Pat Metheny (b. 1954)