MTM Enterprises - Programs

Programs

MTM's productions included:

  • The Mary Tyler Moore Show (1970-1977)
  • The Bob Newhart Show (1972-1978)
  • Paul Sand in Friends & Lovers (1974–1975)
  • The Texas Wheelers (1974-1975)
  • Rhoda (1974-1978)
  • Doc (1975-1976)
  • Three for the Road (1975)
  • Phyllis (1975-1977)
  • The Tony Randall Show (1976-1978)
  • Lou Grant (1977-1982)
  • The Betty White Show (1977-1978)
  • The White Shadow (1978-1981)
  • WKRP in Cincinnati (1978-1982)
  • Paris (1979-1980)
  • The Last Resort (1979)
  • Hill Street Blues (1981-1987)
  • Remington Steele (1982-1987)
  • St. Elsewhere (1982-1988)
  • Newhart (1982-1990)
  • Bay City Blues (1983)
  • The Duck Factory (1984)
  • Fresno (1986)
  • Beverly Hills Buntz (1987-1988)
  • Capital News (1990)
  • The New WKRP in Cincinnati (1991-1993)
  • The Pretender (1996-2000) (Note: Only the first season was produced by MTM, with 20th Century Fox Television assuming the series thereafter.) (in association with NBC Studios)
  • Family Challenge (1995-1997)
  • Sparks (1996-1998)
  • Good News (1997-1998)

In addition to the above shows, MTM has distributed programs such as:

  • The Steve Allen Show
  • Graham Kerr
  • Xuxa
  • America's Funniest Home Videos (Now owned by Disney-ABC Domestic Television)
  • Evening Shade (with CBS Productions)
  • Rescue 911 (with CBS Productions)
  • Peter Gunn
  • Dr. Quinn, Medicine Woman (with CBS Productions)
  • Shopping Spree
  • Christy

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Famous quotes containing the word programs:

    “Whether in the field of health, education or welfare, I have put my emphasis on preventive rather than curative programs and tried to influence our elaborate, costly and ill- co-ordinated welfare organizations in that direction. Unfortunately the momentum of social work is still directed toward compensating the victims of our society for its injustices rather than eliminating those injustices.”
    —Agnes E. Meyer (1887–1970)

    “We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
    —Richard Louv (20th century)

    “Government ... thought [it] could transform the country through massive national programs, but often the programs did not work. Too often they only made things worse. In our rush to accomplish great deeds quickly, we trampled on sound principles of restraint and endangered the rights of individuals.”
    —Gerald R. Ford (b. 1913)