Mr. Moto - Novels

Novels

  • Your Turn, Mr. Moto (aka No Hero and Mr. Moto Takes a Hand (British edition)) (1935) - Originally serialized in the Saturday Evening Post in 1935 under the title, No Hero.
  • Thank You, Mr. Moto (1936) - Originally serialized in the Saturday Evening Post in 1936. An expatriate American gets involved in intrigue in Peking when he tries to save an American woman from unscrupulous art dealers. Moto tries to save them both from a military takeover of Peking.
  • Think Fast, Mr. Moto (1937) - Originally serialized in the Saturday Evening Post in 1936. The heir to an American banking firm is sent to Honolulu to clear up a family matter involving a gambling house. Moto is also drawn to Hawaii to stop money being channeled into China to support revolutionaries.
  • Mr. Moto Is So Sorry (1938) - Originally serialized in the Saturday Evening Post in 1938. An American on the run from authorities encounters Moto on a train journey through China. Moto is on his way to a life-or-death showdown with Russian spies and draws the hapless American into the situation when a secret message accidentally falls into the possession of a beautiful woman.
  • Last Laugh, Mr. Moto (1942) - Originally serialized in Collier's Weekly in 1941 under the title Mercator Island.
  • Right You Are, Mr. Moto (aka Stopover: Tokyo and The Last of Mr. Moto) (1957) - Originally serialized in the Saturday Evening Post in 1956 and 1957 under the title Rendezvous in Tokyo. The original book was called Stopover: Tokyo and subsequent editions were called The Last of Mr. Moto and finally Right You Are, Mr. Moto.

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Famous quotes containing the word novels:

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
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    “The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.”
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    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
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