Character in The Radio Program
From May to October 1951, the NBC Broadcasting network produced and aired 23 half-hour episodes starring James Monk as Mr. I.A. Moto, International Secret Agent. Mr. Moto is an American of Japanese descent born in San Francisco but still retaining his international connections.
The show focused on Mr. Moto’s fight against Communism although occasionally he also solved more mundane mysteries such as murder and blackmail.
Read more about this topic: Mr. Moto
Famous quotes containing the words character in the, character in, character, radio and/or program:
“Talent develops in quiet places, character in the full current of human life.”
—Johann Wolfgang Von Goethe (1749–1832)
“There are certain stereotypes that are offensive. Some of them don’t worry me, though. For instance, I have always thought that Mammy character in Gone with the Wind was mighty funny. And I just loved “Amos ‘n’ Andy” on the radio. So you see, I have enough confidence in myself that those things did not bother me. I could laugh.”
—Annie Elizabeth Delany (b. 1891)
“There are certain stereotypes that are offensive. Some of them don’t worry me, though. For instance, I have always thought that Mammy character in Gone with the Wind was mighty funny. And I just loved “Amos ‘n’ Andy” on the radio. So you see, I have enough confidence in myself that those things did not bother me. I could laugh.”
—Annie Elizabeth Delany (b. 1891)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“Indigenous to Minnesota, and almost completely ignored by its people, are the stark, unornamented, functional clusters of concrete—Minnesota’s grain elevators. These may be said to express unconsciously all the principles of modernism, being built for use only, with little regard for the tenets of esthetic design.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)