Character in The Films
Between 1937 and 1939 eight motion pictures were produced by 20th Century Fox starring Peter Lorre as Mr. Kentaro Moto.
Unlike the novels, Moto is the central character, a detective with Interpol, wears glasses (and has no gold teeth), is a devout Buddhist (and good friends with the Chinese monarchy). He is always impeccably dressed in Western suits. The stories are action-oriented due to Moto’s liberal use of judo (only hinted at in the novels) and due to his tendency to wear disguises.
Mr. Moto is described as being just over 5 feet tall in the film Danger Island. (Lorre was actually 5 feet 5 inches). While Lorre resented playing Mr. Moto, he is the first authentic martial arts film "hero" in the West.
Read more about this topic: Mr. Moto
Famous quotes containing the words character in the, character in, character and/or films:
“If there be no nobility of descent in a nation, all the more indispensable is it that there should be nobility of ascent—a character in them that bear rule, so fine and high and pure, that as men come within the circle of its influence, they involuntarily pay homage to that which is the one pre-eminent distinction, the Royalty of Virtue.”
—Henry Codman Potter (1835–1908)
“If there be no nobility of descent in a nation, all the more indispensable is it that there should be nobility of ascent—a character in them that bear rule, so fine and high and pure, that as men come within the circle of its influence, they involuntarily pay homage to that which is the one pre-eminent distinction, the Royalty of Virtue.”
—Henry Codman Potter (1835–1908)
“Nature never rhymes her children, nor makes two men alike. When we see a great man, we fancy a resemblance to some historical person, and predict the sequel of his character and fortune, a result which he is sure to disappoint. None will ever solve the problem of his character according to our prejudice, but only in his high unprecedented way.”
—Ralph Waldo Emerson (1803–1882)
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
—Susan Sontag (b. 1933)