Posthumous Usage of Amadeus
The 19th century saw the gradual victory of "Amadeus" over alternative middle names when referring to Mozart. Volkmar Braunbehrens (1988) observes that early (18th century) biographers of Mozart, such as Friedrich Schlichtegroll and Franz Niemetschek, used "Gottlieb". However, in 1798 the publishing firm of Breitkopf & Härtel began to issue a (partial) Complete Works edition under the name "Amadeus". The dominance of "Amadeus" began around about 1810; Romanticism, notably in the person of E. T. A. Hoffmann, "seized upon this name to proclaim its veneration for Mozart". Although various scholars since that time have made use of "Amadè" or "Gottlieb", "Amadeus" remains by far the most familiar term for the general public.
Read more about this topic: Mozart's Name
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