Moving Image Retoucher (M.I.R.) is a software tool for real-time playback of movies, manual dust busting, wire removal and any other kind of moving image (film, video) repair.
The tool offers a solution for film viewing and manual retouch and repair. For example scanned hairs, dust spots, bad splices, tears and other defects can be fixed with the tool.
The tool uses only existing information as it is cloning content from other regions and images into the selected area. A so called 'monocle' displays target and source at one glance. Adjustable softness and elliptic brushes are allowing to repair the targeted images. Auto-alignment compensates camera and object motion to support the operator. A micro-loop function (playback from buffered cache) permits to use M.I.R. in various resolutions (video, HD, 2k, 4k) on state-of-the-art computers.
The software should work in a professional environment (e.g.: post-houses) and supports most common file formats like QuickTime, DPX, Cineon, TIFF, TGA, JPG. M.I.R. is available on Microsoft Windows and Mac OS X and runs on almost any modern standard PC hardware, that supports openGL.
There is a free demo-version that permits full playback functionality but has restrictions in saving back the retouched images. Related tools are the open source Cinepaint as well as the commercial product Cinecure from the Japanese company Imagica.
Famous quotes containing the words moving image, moving and/or image:
“If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writers contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.”
—Eric Bentley (b. 1916)
“and the deaf soul
struggles, strains forward, to lip-read what it needs:
and something is said, quickly,
in words of cloud-shadows moving and
the unmoving turn of the road, something
not quite caught ...”
—Denise Levertov (b. 1923)
“For me, the child is a veritable image of becoming, of possibility, poised to reach towards what is not yet, towards a growing that cannot be predetermined or prescribed. I see her and I fill the space with others like her, risking, straining, wanting to find out, to ask their own questions, to experience a world that is shared.”
—Maxine Greene (20th century)