Founded in 1953, Motion Picture Sound Editors (M.P.S.E.) is an honorary society of motion picture sound editors. The society's goals are to educate others about and increase the recognition of the sound editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E The current president is Bobbi Banks.
The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".
Read more about Motion Picture Sound Editors: Membership Requirements, The Golden Reel Awards
Famous quotes containing the words motion picture, motion, picture, sound and/or editors:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“I still think I ought to leave Washington well alone. I have many friends in that city who can of their own motion speak confidently of my ways of thinking and acting. An authorized representative could remove some troubles that you now see, but only think of yet greater troubles he might create.”
—Rutherford Birchard Hayes (1822–1893)
“A child’s self-image is more like a scrapbook than a single snapshot. As the child matures, the number and variety of images in that scrapbook may be far more important than any individual picture pasted inside it.”
—Lawrence Kutner (20th century)
“I must have had twenty bucks taken out of there in the past six years, you know. Don’t sound like much, but it adds up.”
—Sylvester Stallone (b. 1946)
“The trenchant editorials plus the keen rivalry natural to extremely partisan papers made it necessary for the editors to be expert pugilists and duelists as well as journalists. An editor made no assertion that he could not defend with fists or firearms.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)