Moscow Orphanage - Architecture

Architecture

An outgrowth of the Russian Enlightenment, the idea of a state-run orphanage in Moscow was proposed by educator Ivan Betskoy and endorsed by Catherine II of Russia on September 1, 1763. Betskoy envisaged a spacious, strictly controlled, state-of-the-art institution that could raise abandoned infants and train them depending on each child's abilities—in craftsmanship, fine arts, or in preparation for university classes. Children born in slavery were automatically emancipated, and upon graduation could join the state service or the merchant estate.

The institution was set on a large lot of land between Kitai-gorod, Solyanka Street, Moskva and Yauza rivers, site of a former armoury. Construction was financed through a public subscription. The Empress herself pledged 100,000 roubles; the largest private donations, from Prokofy Demidov and Ivan Betskoy, amounted to 200,000 and 162,995 roubles.

According to the master plan by Karl Blank (assisted by Yury Felten), the Orphanage was designed as a chain of three square-shaped buildings: the eastern wing for the girls, the western wing for the boys and the central administration block connecting them. The inauguration ceremony, attended by the Empress, was held on April 21, 1764, although the western wing was not completed by Blank until three years later. The central building, constructed between 1771 and 1781, was surmounted by a square dome with a spire. The adjacent Moskva River embankment was paved in 1795–97 and set in granite in 1801–06.

Although the eastern wing did not materialize, the Orphanage expanded continuously, under the supervision of senior architects Giovanni Gilardi (1790s-1817) and Domenico Gilardi (1817–34). Domenico and Afanasy Grigoriev designed and built the Board of Trustees building facing Solyanka Street. By the mid-19th century, the Orphanage had evolved into "a city within a city" – a largely independent and wealthy institution housing thousands of residents. The bulk of the Orphanage survived the Fire of 1812 and preserved its original aspect until the mid-20th century.

In the 1940s, the missing eastern wing was finally constructed to a design by Alexander Loveyko, who generally followed Blank's original plans, albeit in a considerably simplified form.

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