Morgan Robertson - Other Works

Other Works

In 1905, Robertson's book The Submarine Destroyer was released. It described a submarine that used a device called a periscope. Despite Robertson's later claims that he had "invented" a prototype periscope himself (and was refused a patent), Simon Lake and Harold Grubb had perfected the model used by the U.S. Navy by 1902, three years before Robertson's "prescient" novel.

In 1914, in a volume that also contained a new version of Futility, Robertson included a short story called "Beyond the Spectrum", which described a future war between the United States and Empire of Japan, a popular subject at the time. Japan does not declare war but instead launches sneak attacks on United States ships en route to the Philippines and Hawaii; an invasion fleet about to launch a surprise attack on San Francisco is stopped by the hero using the weapon from a captured Japanese vessel. The title refers to an ultraviolet searchlight used by the Japanese, but invented by the Americans, to blind American crews. Some readers have compared the searchlight's effects (blindness, intense heat, and facial burns) to those of the atomic bomb.

Robertson was the author of Primordial / Three Laws and the Golden Rule, a novella about shipwrecked children growing up together and falling in love on a desert island. Fans of Edgar Rice Burroughs acknowledge Robertson's contribution to the works of Henry De Vere Stacpoole, particularly The Blue Lagoon. They believe that both Robertson's and Stacpoole's writings influenced Burroughs in his creation of Tarzan of the Apes.

On March 24, 1915, Robertson was found dead in his room at the Alamac Hotel in Atlantic City, New Jersey. He was 53 years of age. It is believed that he died of an overdose of paraldehyde.

Read more about this topic:  Morgan Robertson

Famous quotes containing the word works:

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)