Moldy figs are purist advocates of early jazz, originally those such as Rudi Blesh, Alan Lomax, and James Jones who argued that jazz took a wrong turn in the early 1920s with developments such as the introduction of printed scores. Blesh, for example, dismissed the work of Duke Ellington as "tea dansant music" with no jazz content whatever.
According to John Lowney, the term moldy figs was first used in this sense by Bernard Gendron in a 1942 editorial in Metronome magazine, "'Moldy Figs' and Modernists: Jazz at War".
The term was later used by the beboppers with reference to those who preferred older jazz to bebop. During the post-World War II era there was something of a revival of "traditional" jazz, and bebop displaced swing as the "modern" music to which it was contrasted. More recently, Gene Santoro has referred to Wynton Marsalis and others, who embrace bebop but not other forms of jazz that followed it, as "latter-day moldy figs", with bebop now lying on the side of "jazz tradition".
Although the term was originally a pejorative, it has at times been embraced by trad jazz fans and players.
Famous quotes containing the word figs:
“He hangs in shades the orange bright,
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows;
He makes the figs our mouths to meet,
And throws the melons at our feet;
But apples plants of such a price
No tree could ever bear them twice.”
—Andrew Marvell (16211678)