Setting
Pogo is set in the Georgia section of the Okefenokee Swamp; Fort Mudge and Waycross are occasionally mentioned.
The characters live, for the most part, in hollow trees amidst lushly-rendered backdrops of North American wetlands, bayous, lagoons and backwoods. Fictitious local landmarks—such as "Miggle’s General Store and Emporium" (aka "Miggle's Miracle Mart") and the "Fort Mudge Memorial Dump," etc.—are occasionally featured. The landscape is fluid and vividly detailed, with a dense variety of (often caricatured) flora and fauna. The richly-textured trees and marshlands frequently change from panel to panel within the same strip. Like the Coconino County depicted in Krazy Kat and the Dogpatch of Li’l Abner, the distinctive cartoon landscape of Kelly’s Okefenokee Swamp became as strongly identified with the strip as any of its characters.
There are occasional forays into exotic locations as well, including at least two visits to Australia (during the Melbourne Olympics in 1956, and again in 1961). The Aussie natives include a bandicoot, a lady wallaby, and a mustachioed, aviator kangaroo named "Basher"). In 1967, Pogo, Albert and Churchy visit primeval "Pandemonia"—a vivid, "prehysterical" place of Kelly’s imagination, complete with mythical beasts (including dragons and a zebra-striped unicorn), primitive humans, arks, volcanoes, sabre-tooth tigers, pterodactyls and dinosaurs.
Kelly also frequently parodied Mother Goose stories featuring the characters in period costume: “Cinderola," "Goldie Lox and the Fore-bears,” “Handle and Gristle,” etc. These offbeat sequences, usually presented as a staged play or a story-within-a-story related by one of the characters, seem to take place in the fairy tale dreamscapes of children’s literature, with European storybook-style cottages and forests, etc.—rather than in the swamp, per se.
Read more about this topic: Miz Mam'selle Hepzibah
Famous quotes containing the word setting:
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)
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—bell hooks (b. c. 1955)
“The trees stand in the setting sun,
I in their freckled shade
Regard the cavalcade of sin,
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That pass like ghosts regardless, in
A human image made....”
—Philip Larkin (1922–1986)