Setting
Pogo is set in the Georgia section of the Okefenokee Swamp; Fort Mudge and Waycross are occasionally mentioned.
The characters live, for the most part, in hollow trees amidst lushly-rendered backdrops of North American wetlands, bayous, lagoons and backwoods. Fictitious local landmarks—such as "Miggle’s General Store and Emporium" (aka "Miggle's Miracle Mart") and the "Fort Mudge Memorial Dump," etc.—are occasionally featured. The landscape is fluid and vividly detailed, with a dense variety of (often caricatured) flora and fauna. The richly-textured trees and marshlands frequently change from panel to panel within the same strip. Like the Coconino County depicted in Krazy Kat and the Dogpatch of Li’l Abner, the distinctive cartoon landscape of Kelly’s Okefenokee Swamp became as strongly identified with the strip as any of its characters.
There are occasional forays into exotic locations as well, including at least two visits to Australia (during the Melbourne Olympics in 1956, and again in 1961). The Aussie natives include a bandicoot, a lady wallaby, and a mustachioed, aviator kangaroo named "Basher"). In 1967, Pogo, Albert and Churchy visit primeval "Pandemonia"—a vivid, "prehysterical" place of Kelly’s imagination, complete with mythical beasts (including dragons and a zebra-striped unicorn), primitive humans, arks, volcanoes, sabre-tooth tigers, pterodactyls and dinosaurs.
Kelly also frequently parodied Mother Goose stories featuring the characters in period costume: “Cinderola," "Goldie Lox and the Fore-bears,” “Handle and Gristle,” etc. These offbeat sequences, usually presented as a staged play or a story-within-a-story related by one of the characters, seem to take place in the fairy tale dreamscapes of children’s literature, with European storybook-style cottages and forests, etc.—rather than in the swamp, per se.
Read more about this topic: Miz Mam'selle Hepzibah
Famous quotes containing the word setting:
“In my dealing with my child, my Latin and Greek, my accomplishments and my money stead me nothing; but as much soul as I have avails. If I am wilful, he sets his will against mine, one for one, and leaves me, if I please, the degradation of beating him by my superiority of strength. But if I renounce my will, and act for the soul, setting that up as umpire between us two, out of his young eyes looks the same soul; he reveres and loves with me.”
—Ralph Waldo Emerson (1803–1882)
“We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.”
—Henry David Thoreau (1817–1862)
“A fit abode for a poet. Stage setting at least correct.”
—Ezra Pound (1885–1972)