Mixed media, in visual art, refers to an artwork in the making of which more than one medium has been employed.
There is an important distinction between "mixed-media" artworks and "multimedia art". Mixed media tends to refer to a work of visual art that combines various traditionally distinct visual art media. For example, a work on canvas that combines paint, ink, and collage could properly be called a "mixed media" work - but not a work of "multimedia art." The term multimedia art implies a broader scope than mixed media, combining visual art with non-visual elements (such as recorded sound, for example) or with elements of the other arts (such as literature, drama, dance, motion graphics, music, or interactivity).
When creating a painted or photographed work using mixed media it is important to choose the layers carefully and allow enough drying time between the layers to ensure the final work will have integrity. If many different media are used it is equally important to choose a sturdy foundation upon which the different layers are imposed.
A phrase sometimes used in relationship to mixed media is, "Fat over lean." In other words: "don't start with oil paints. Plan to make them the final layer."
Many effects can be achieved by using mixed media. Found objects can be used in conjunction with traditional artist media, such as paints and graphite, to express a meaning in the everyday life. In this manner, many different elements of art become more flexible than with traditional artist media.
Famous quotes containing the words mixed and/or media:
“Memory is a wonderfully useful tool, and without it judgement does its work with difficulty; it is entirely lacking in me.... Now, the more I distrust my memory, the more confused it becomes. It serves me better by chance encounter; I have to solicit it nonchalantly. For if I press it, it is stunned; and once it has begun to totter, the more I probe it, the more it gets mixed up and embarrassed. It serves me at its own time, not at mine.”
—Michel de Montaigne (1533–1592)
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—Marianne E. Neifert (20th century)