MIT Press - History

History

The MIT Press traces its origins back to 1926 when MIT published under its own name a lecture series entitled Problems of Atomic Dynamics given by the visiting German physicist and later Nobel Prize winner, Max Born. Six years later, MIT's publishing operations were first formally instituted by the creation of an imprint called Technology Press in 1932. This imprint was founded by James R. Killian, Jr., at the time editor of MIT's alumni magazine and later to become MIT president. Technology Press published eight titles independently, then in 1937 entered into an arrangement with John Wiley & Sons in which Wiley took over marketing and editorial responsibilities. In 1962 the association with Wiley came to an end after a further 125 titles had been published. The press acquired its modern name after this separation, and has since functioned as an independent publishing house.

In 1968 MIT Press added an academic journals publishing division, and the following year MIT Press opened a marketing and sales office in Europe. In the late 1970s, responding to changing economic conditions, the publisher narrowed the focus of their catalog to a few key areas, initially architecture, computer science and artificial intelligence, economics, and cognitive science. Other areas, such as technology and design, have been added since. The latest addition is environmental science.

In January 2010 the MIT Press published its 9000th title, and publishes about 200 books and 30 journals every year. In 2012 the Press celebrated its 50th anniversary.

Read more about this topic:  MIT Press

Famous quotes containing the word history:

    The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.
    Tacitus (c. 55–117)

    Spain is an overflow of sombreness ... a strong and threatening tide of history meets you at the frontier.
    Wyndham Lewis (1882–1957)

    There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.
    Umberto Eco (b. 1932)