Park Development Versus Preservation
While most Mission 66 projects were intended for infrastructure improvements and visitor services, some urban projects involved the creation of entirely new attractions at the expense of the urban landscape. The Jefferson National Expansion Memorial on the St. Louis, Missouri riverfront entailed the demolition of forty blocks of the city to create a new urban park at the feet of Gateway Arch. The old warehouse district had been targeted for demolition by the city to eradicate "urban blight", and the arch and its park were seen as a means to this end, which had been pursued since the 1930s. Ironically, much of the exploration and expansion the new project commemorated had originated from the demolished riverfront district.
In Philadelphia, the development of Independence National Historical Park involved the creation of Independence Mall. The mall was designed to provide a vista of Independence Hall, necessitating the demolition of numerous 19th-century buildings.
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Famous quotes containing the words park, development and/or preservation:
“and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I’m engaged to Miss Joan Hunter Dunn.”
—Sir John Betjeman (1906–1984)
“Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding of human behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.”
—Jeanne Elium (20th century)
“The preservation of life seems to be rather a slogan than a genuine goal of the anti-abortion forces; what they want is control. Control over behavior: power over women. Women in the anti-choice movement want to share in male power over women, and do so by denying their own womanhood, their own rights and responsibilities.”
—Ursula K. Le Guin (b. 1929)