Movies
| Year | Title | Role | Film Production | Notes |
| 2012 | Kimmy Dora and the Temple of Kiyeme | Gertrude | Spring Films/Star Cinema | Supporting Actress |
| 2011 | Wedding Tayo, Wedding Hindi | Atty. Lilly Vargas | Octo-Arts Films/Star Cinema | Supporting Actress |
| 2009 | Patient X (film) | Nurse Betty | GMA Films | Supporting Actress |
| 2009 | Kimmy Dora | Gertrude | Star Cinema | Supporting Actress |
| 2003 | Walang Kapalit | Celine | Supporting Actress |
Modeling/commercials
- Olay Total Effects, Celebrity Endorser (2006–present)
- Olay Body Soap (June 2008 – present)
- Lip Out, Fiber Food Supplement (September–October 2010)
- Calayan Facial Center (August 2008-December 2009)
- Clear Anti-Dandruff Shampoo, Celebrity Endorser (2007–2008)
- Worldvision Special Project: ABK Initiative Celebrity Advocate – bringing child laborers out of work into education (2006–2008)
- Worldvision Development Foundation celebrity endorser (2001 to present)
- Mister Donut, Image model (2002–2004)
- Lactacyd, Image Model (2000–2001)
- Creamsilk Conditioner, Image Model (1999–2000)
Read more about this topic: Miriam Quiambao
Famous quotes containing the word movies:
“The movies were my textbooks for everything else in the world. When it wasn’t, I altered it. If I saw a college, I would see only cheerleaders or blonds. If I saw New York City, I would want to go to the slums I’d seen in the movies, where the tough kids played. If I went to Chicago, I’d want to see the brawling factories and the gangsters.”
—Jill Robinson (b. 1936)
“Advertising is a racket, like the movies and the brokerage business. You cannot be honest without admitting that its constructive contribution to humanity is exactly minus zero.”
—F. Scott Fitzgerald (1896–1940)
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)