Art
Like the English pre-Raphaelites before them, Benois and his friends were disgusted with anti-aesthetic nature of modern industrial society and sought to consolidate all Neo-Romantic Russian artists under the banner of fighting Positivism in art.
Like the Romantics before them, the miriskusniki promoted understanding and conservation of the art of previous epochs, particularly traditional folk art and the 18th-century rococo. Antoine Watteau was probably the single artist whom they admired the most.
Such Revivalist projects were treated by the miriskusniki humorously, in a spirit of self-parody. They were fascinated with masks and marionettes, with carnaval and puppet theater, with dreams and fairy-tales. Everything grotesque and playful appealed to them more than the serious and emotional. Their favorite city was Venice, so much so that Diaghilev and Stravinsky selected it as the place of their burial.
As for media, the miriskusniki preferred the light, airy effects of watercolor and gouache to full-scale oil paintings. Seeking to bring art into every house, they often designed interiors and books. Bakst and Benois revolutionized theatrical design with their ground-breaking decor for Cléopâtre (1909), Carnaval (1910), Petrushka (ballet) (1911), and L'après-midi d'un faune (1912).
Read more about this topic: Mir Iskusstva
Famous quotes containing the word art:
“May we not assure ourselves that whatever woman’s thought and study shall embrace will thereby receive a new inspiration, that she will save science from materialism, and art from a gross realism; that the “eternal womanly shall lead upward and onward”?”
—Louisa Parsons Hopkins, U.S. scientist and author. As quoted in The Fair Women, ch. 16, by Jeanne Madeline Weimann (1981)
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—Molière [Jean Baptiste Poquelin] (1622–1673)
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