Minority Group - Definition

Definition

Refers to members of minority groups. The term is used to address the controversy with the use of the word minority. Cultural diversity definitions can be as controversial as diversity projects and initiatives. The word minority is an example; it has an academic and colloquial usage. Academics refer to power differences among groups, rather than differences in population size among groups.

Feagin (1984) states that a minority group has five characteristics: (1) suffering discrimination and subordination, (2) physical and/or cultural traits that set them apart, and which are disapproved by the dominant group, (3) a shared sense of collective identity and common burdens, (4) socially shared rules about who belongs and who does not determine minority status, and (5) tendency to marry within the group.

In the United States, the term majority refers to a group that is larger in population size and controls economic, political, and social resources. Given the shift of people of color growing in size that trends indicate will make them a majority, some argue that Caucasian-Americans should no longer be considered the majority.

Historically excluded groups (HEGs) is a term that points out the differences among different groups based on the degree of experiencing oppression and domination. The Feagin defining features are maintained while overcoming the complication with using demographics.

Read more about this topic:  Minority Group

Famous quotes containing the word definition:

    It is very hard to give a just definition of love. The most we can say of it is this: that in the soul, it is a desire to rule; in the spirit, it is a sympathy; and in the body, it is but a hidden and subtle desire to possess—after many mysteries—what one loves.
    François, Duc De La Rochefoucauld (1613–1680)

    I’m beginning to think that the proper definition of “Man” is “an animal that writes letters.”
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.
    Walter Pater (1839–1894)