Pieces
The Penguin Guide to Jazz on CD calls this album "an extended tribute to ancestors" (and awards it one of their rare crowns), and Mingus's musical forebears figure largely throughout. "Better Git It In Your Soul" is inspired by gospel singing and preaching of the sort that Mingus would have heard as a child growing up in Watts, Los Angeles, California, while "Goodbye Pork Pie Hat" is a reference (by way of his favored headgear) to saxophonist Lester Young (who had died shortly before the album was recorded). The origin and nature of "Boogie Stop Shuffle" is self-explanatory: a twelve-bar blues with four themes and a boogie bass backing that passes from stop time to shuffle and back.
"Self-Portrait in Three Colors" was originally written for John Cassavetes' first film as director, Shadows, but was never used (for budgetary reasons). "Open Letter to Duke" is a tribute to Duke Ellington, and draws on three of Mingus's earlier pieces ("Nouroog", "Duke's Choice", and "Slippers"). "Jelly Roll" is a reference to jazz pioneer and pianist Jelly Roll Morton; "Bird Calls," in Mingus' own words, was not a reference to bebop legend Charlie "Bird" Parker: "It wasn't supposed to sound like Charlie Parker. It was supposed to sound like birds - the first part."
"Fables of Faubus" is named after Orval E. Faubus (1910–1994), the Governor of Arkansas infamous for his 1957 stand against integration of Little Rock, Arkansas schools in defiance of U.S. Supreme Court rulings (forcing President Eisenhower to send in the National Guard). It is sometimes claimed that Columbia refused to allow the lyrics to be included on this album, though the liner notes to the 1998 reissue of the album state that the piece started life as an instrumental, and only gained the lyrics later (as can be heard on the 1960 release Presents Charles Mingus.)
Read more about this topic: Mingus Ah Um
Famous quotes containing the word pieces:
“The chess-board is the world; the pieces are the phenomena of the universe; the rules of the game are what we call the laws of Nature. The player on the other side is hidden from us. We know that his play is always fair, just, and patient. But also we know, to our cost, that he never overlooks a mistake, or makes the smallest allowance for ignorance.”
—Thomas Henry Huxley (1825–1895)
“Pieces of eight! pieces of eight! pieces of eight!”
—Robert Louis Stevenson (1850–1894)
“I never had the sense of myself as an accomplished artist, and I always had to work three times as hard as anyone else to make my pieces as good as they could be. I am never completely satisfied. There always seems to be something just beyond my reach.”
—Toshiko Takaezu (b. 1922)