Television Theme Music
One of his first jobs in television started when he was 24, as the musical director on The Andy Williams Show. Another early job was writing the theme music for the short-lived detective series Toma in 1973, but his big breakthrough (together with co-composer Pete Carpenter) came in the following year with his theme song for The Rockford Files, another series by producer Stephen J. Cannell. The theme also got cross-over Top 40 radio airplay and earned a second Grammy for Post. Post subsequently won Grammys for Best Instrumental Composition for the themes for the television shows Hill Street Blues in 1981 and L.A. Law in 1988 as well as another Grammy in 1981 for Best Instrumental Performance for the Hill Street Blues theme.
Post won an Emmy for his Murder One theme music, and had previously been nominated for NYPD Blue, among others. He has won BMI Awards for the music for L.A. Law, Hunter, and the various Law & Order series. The theme for The Greatest American Hero is one of the few television themes to reach as high as #2 as a single record on the Billboard Hot 100.
Other TV music works include The A-Team, Baa Baa Black Sheep, Blossom, CHiPs, The Commish, Doogie Howser, M.D., Hardcastle & McCormick, Hooperman, Hunter, Magnum, P.I., NewsRadio, Profit, Quantum Leap, Renegade, Riptide, Silk Stalkings, Stingray, Tales of the Gold Monkey,Tenspeed and Brown Shoe, The White Shadow, Wiseguy, the BBC series Roughnecks, Law & Order, and Philly.
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