The Miguel de Cervantes Prize (Spanish: Premio de Literatura en Lengua Castellana Miguel de Cervantes), established in 1976, is awarded annually to honour the lifetime achievement of an outstanding writer in the Spanish language. The prize is similar to the Booker Prize, with its candidates from Commonwealth countries, in that it rewards authors from any Spanish-speaking nation. Unlike the Booker Prize, it is awarded only once in recognition of the recipient's overall body of work and is therefore regarded as a sort of Spanish-language Nobel Prize in Literature. The award is named after Miguel de Cervantes, author of Don Quixote.
The candidates are proposed by the Association of Spanish Language Academies, and the prize is awarded by the Ministry of Culture of Spain. The winner receives a monetary award of 125,000 euros, it is one of the richest literary prizes in the world and one of the most prestigious in the Spanish language.
Read more about Miguel De Cervantes Prize: The Cervantes Prize and The Nobel Prize in Literature, Winners, Winners Per Country, Omissions, Potential Candidates, Similar Prizes in Other Languages
Famous quotes containing the words miguel de cervantes, miguel de, cervantes and/or prize:
“Miracle me no miracles.”
—Miguel De Cervantes (1547–1616)
“I had rather munch a crust of brown bread and an onion in a corner, without any more ado or ceremony, than feed upon turkey at another man’s table, where one is fain to sit mincing and chewing his meat an hour together, drink little, be always wiping his fingers and his chops, and never dare to cough nor sneeze, though he has never so much a mind to it, nor do a many things which a body may do freely by one’s self.”
—Miguel De Cervantes (1547–1616)
“The Knight of the Doleful Countenance.”
—Miguel De Cervantes (1547–1616)
“It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit.”
—Joan Didion (b. 1934)