Plot
Seiji Sawamura is the toughest student in his high school. His grades aren't very good because he fights more than he studies, but he tends to protect the weaker students from bullies. A few classmates idolize him; one (Midori Kasugano from a different school) shyly loves him from afar; but most are just afraid of him, which has made it impossible for him to find a girlfriend. In desperation, he says to himself that he will grow old with only his right hand as lifelong companion — until one morning when he wakes to find a miniature Midori attached to where his right hand used to be.
Over the next two weeks the pair adapt to this sudden and forced closeness. Much mayhem, and some romance, ensue. Seiji does his best to hide Midori from other people; she wears a bandage around her head and pretends to be his injured hand. Midori frequently professes her love to Seiji (even wearing a dress she made and embroidered with "I ♥ Seiji"), but Seiji fails to notice, even as he frequently laments that he'll never find a girl who loves him.
Read more about this topic: Midori Days
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)