Film Career
Having profound interest in Telugu films right from his childhood ventured in film industry as an exhibitor after discontinuing his graduation. He also constructed a touring theatre named Sushma in his village.
After his stint as an exhibitor for almost ten years he along with his brother-in-laws who were also exhibitors started producing films. Initially he started by dubbing non-Telugu movies in Telugu namely Kondaveeti Veerudu starring Gemini Ganesan from tamil, Kaksha-Siksha starring Jayashankar from tamil, Prachanda Veerudu starring Rajkumar from kannada.
After the stint as dubbing films he started making straight Telugu films with Padahaarella Vayasu with Sridevi and Chandra Mohan as lead under K.Raghavendra Rao direction which happened to be sensational super hit in Telugu film industry bringing stardom to Sridevi and established Midde Rama Rao as a producer in Telugu film industry to produce several super hit movies in the coming years. After the success of this movie he started producing movies under a new banner Sree Rajyalakshmi Arts.
He remade several non-Telugu super hit movies in Telugu namely Nindu Noorellu, Palletoori Monagaadu, etc. He also made movies based on popular novels written by Yandamuri Veerendranath and Malladi Venkata Krishnamurthy such as Sampoorna Premayanam and Jhansi Rani.
Read more about this topic: Midde Rama Rao
Famous quotes containing the words film and/or career:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)