Development
Speaking to Alison James of Soaplife, Keltie called Michelle a spoilt little princess, who can twist her parents round her finger. The actress said Michelle looks like butter would not melt, but this is far from the truth. Describing her character further, Keltie said "She's actually wild and thinks she can get away with anything. She also has a mad imagination which means she tells very convincing fibs." The BBC's profile for Michelle said she was "very mature, very clever, and very determined." She felt heavily burdened being the youngest member of the Scully family and hated it when Stephanie and Felicity fought, as she is "a sensitive soul." Michelle is the apple of her father's eye, which makes her the one who can hurt him most. The BBC added Michelle has "a definite desire to see the world - not that cold feet don't affect her sometimes - and a definite desire to change the world."
Shortly after her arrival, Michelle meets Paul McClain (Jansen Spencer) and develops a crush on him. Paul fancies Felicity and thinks Michelle is annoying. Michelle does not let that put her off and she tries blackmailing him into taking her out. She also develops a sudden interest in music, which is one of Paul's hobbies.
Read more about this topic: Michelle Scully
Famous quotes containing the word development:
“The proper aim of education is to promote significant learning. Significant learning entails development. Development means successively asking broader and deeper questions of the relationship between oneself and the world. This is as true for first graders as graduate students, for fledging artists as graying accountants.”
—Laurent A. Daloz (20th century)
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for womens broader intellectual development I see the great sunburst of the future.”
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“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)