Selected Discography As Musician
as group member:
Darkroom, Carpetworld EP (3rd Stone Ltd., 1998)
Darkroom, Daylight (3rd Stone Ltd., 1998)
Tim Bowness/Samuel Smiles, World Of Bright Futures (Hidden Art, 1999)
Darkroom, Seethrough (peoplesound.com, 1999 - re-issued on Burning Shed, 2003)
Tim Bowness/Samuel Smiles, How We Used To Live (Hidden Art, 2000)
Tim Bowness/Samuel Smiles, Live Archive One (Hidden Art, 2001)
Tim Bowness/Samuel Smiles, Live Archive Two (Hidden Art, 2001)
Darkroom, Fallout One (Burning Shed, 2001)
Darkroom, Fallout Two (Burning Shed, 2001)
Darkroom, Fallout Three (Burning Shed, 2002)
Darkroom, Freefall (Burning Shed, 2002)
Darkroom, The DAC Mixes (Burning Shed, 2002)
Pedaltone, Pedaltone (Burning Shed, 2006)
as guest musician:
Richard Barbieri/Tim Bowness, Flame (One Little Indian, 1994)
Faultline, Faultline EP (Fused & Bruised, 1998)
Faultline, Mute EP (Leaf, 1998)
Faultline, Closer, Colder (Leaf, 1999)
No-Man, Together We're Stranger (KScope/Snapper Music, 2003)
No-Man, Wherever There Is Light EP (KScope/Snapper Music, 2009)
No-Man, Mixtaped live DVD (KScope/Snapper Music, to be released October 2009)
Read more about this topic: Michael Bearpark
Famous quotes containing the words selected and/or musician:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)