MGM Distribution - Artists

Artists

  • Arrows (Hobbledehoy Record Co)
  • The Basics (Independent)
  • The Beautiful Girls (San Dumo/Independent)
  • Ben Mitchell (Independent)
  • Birds of Tokyo (Independent)
  • Blue King Brown (Roots Level Records)
  • Bukkcity (Unda K9)
  • Butterfingers (Valley Trash Records)
  • Carus and The True Believers (Independent)
  • Cog (Diffrnt Music/Little Samurai)
  • The Conglomerate (Independent, debut album only)
  • Dan Webb (Independent)
  • Drawn from Bees (Bonefinger Records)
  • The E.L.F. (Oaks Records)
  • Edward Guglielmino (Independent)
  • Endorphin (Seduction Records)
  • Epicure (Independent)
  • The Flairz (Lefroy Records)
  • Hungry Kids of Hungary (Independent)
  • Impossible Odds (Impossible Odds)
  • Intercooler (Rhythm Ace)
  • Jacqui Hunt (Auraphonic)
  • The Jezabels (Independent)
  • John Butler Trio (Jarrah Records)
  • Karnivool (Independent)
  • Kate Miller-Heidke (Waterbear Records)
  • Lior (Senso Unico)
  • The Little Stevies (Independent)
  • Lucky Fonz III (Cruiserweight Records)
  • Mark Wilkinson (Independent)
  • Mia Dyson (Backdoor Records)
  • The Panda Band (Bamboo Records)
  • The Panics (LittleBIGMAN Records)
  • The Pigram Brothers (Pigram Music)
  • Tin Alley
  • The Preytells (Independent)
  • Resin Dogs (Hydrofunk)
  • Sam Clark (PLW Entertainment)
  • Sarah McLeod (Naughty Mouse Ink/Independent)
  • Sekiden (Valve Records)
  • Skipping Girl Vinegar (Popboomerang)
  • Sneaky Sound System (Whack Records)
  • Superengine (Q-Stik Records)
  • Voodoo Monkeys (Independent)
  • The Waifs (Jarrah Records)
  • Young Modern (Croxton Records)

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Famous quotes containing the word artists:

    “As artists they’re rot, but as providers they’re oil wells; they gush. Norris said she never wrote a story unless it was fun to do. I understand Ferber whistles at her typewriter. And there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word.”
    —Dorothy Parker (1893–1967)

    “The attorneys defending a criminal are rarely artists enough to turn the beautiful ghastliness of his deed to his advantage.”
    —Friedrich Nietzsche (1844–1900)

    “The past is interesting not only for the beauty which the artists for whom it was the present were able to extract from it, but also as past, for its historical value. The same goes for the present. The pleasure which we derive from the representation of the present is due not only to the beauty in which it may be clothed, but also from its essential quality of being present.”
    —Charles Baudelaire (1821–1867)