Mexican Rock Music - Melting Pot: Chopo Bazaar

Melting Pot: Chopo Bazaar

In 1980 an unprecedented event took place: The National University of Mexico UNAM, through one of its cultural departments, invited the public in general to bring over their L.P. records and participate in trading them with other attendants. The gathering place was The Museo Universitario del Chopo, (popularly known as "Museo del Chopo") located in the heart of Mexico City, every Saturday morning.

For the first time since Avándaro rock musicians and record collectors had the opportunity to meet each other and exchange records, which created a collective conscience about rock and subculture in general that nevertheless had existed but did not have a "proper" site to develop. In the beginning the trading took place inside the facilities of the museum, but by the end of the year it could not contain an evergrowing crowd interested in finding records that were otherwise impossible to get from the established outlets, and the trading had become selling in many cases, where commerce sharks took advantage of the incipient new market for rock "rarities".

So the gathering extended to the street right in front of the museum, and several stands were erected, transforming all the affair in a tianguis, a kind of street bazaar. Despite this the record trading was still the main attraction, but other problems emerged. The resident neighbors of the museum saw how their calm Saturday morning became disturbed by a menacing motley crowd, that now included punks, new wavers, hippies, rastafaris, and every other extravagant people that found could express themselves freely at the weekly gathering, and as said before, met others with the same likings and inclinations, but with eventual sneaking inside the surrounding buildings to smoke a joint, or worse.

Soon the government tried to ban the tianguis, and as a matter of fact, the museum had already closed its doors to the whole event, stating that it or the National University "had nothing to do with the current state of affairs". They had created a monster, and it had grown so out of hand, that now it was on its own, and was being put down, like in the old days. But now the participants knew each other well, and the "heads" of the tianguis organized themselves, and as a group presented a proposition to the local government dependency, offering reliable and uncompromising security, and most important, a permanent fee.

However, the officials were reluctant, and between 1982 and 1989 the "Chopo"(as it was now known) changed locations no less than six times, from parks to parking lots to faculty gardens, always because of pressure from officials. And against all odds, it was still growing.

Finally, since 1990 it has been taking place on a street behind the Buenavista Train Station, not three blocks away from the original 'Museo del Chopo' location. From the original one hundred people that began attending in 1980, it is estimated that more than ten thousand people visit the tianguis every week. From the original record trading, it now displays all kinds of clothing, posters, movies, handicrafts, magazines, books, instruments, and all paraphaernalia related to the subculture, and rock in general.

There have been interesting social studies about the Tianguis Cultural del Chopo (the official name), and people from around the world have marveled at display of such intense variety of subculture, when they have had the opportunity to watch it first hand. The Chopo has been a launching platform for many artists of different disciplines (not only rock music) to the world.