Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | |
The soundtrack generated generally positive reviews. In his review for AllMusic, Chuck Donkers gave the album three out of five stars, noting that Knopfler's music "nicely evokes the picture's wistful, nostalgic atmosphere." In his review in the Los Angeles Times, Kevin Thomas noted Knopfler's "evocative score". In her review for The New York Times, Janet Maslin noted that one of the film's "strongest assets" was Knopfler's "fine, expressive score". In her review in Boxoffice Magazine, Susan Green wrote, "This is a thoroughly satisfying little film with an exquisite Mark Knopfler score." In her review for iF Magazine, Etana Jacobson wrote that "Mark Knopfler's quirky Franco-Brit score adds without distracting." In his review for KillerMovies, Scott Renshaw wrote, "There's some nice atmosphere to Metroland, particularly from Mark Knopfler's silky score."
Read more about this topic: Metroland (soundtrack)
Famous quotes containing the words critical and/or reception:
“It is critical vision alone which can mitigate the unimpeded operation of the automatic.”
—Marshall McLuhan (1911–1980)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)