Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | |
The soundtrack generated generally positive reviews. In his review for AllMusic, Chuck Donkers gave the album three out of five stars, noting that Knopfler's music "nicely evokes the picture's wistful, nostalgic atmosphere." In his review in the Los Angeles Times, Kevin Thomas noted Knopfler's "evocative score". In her review for The New York Times, Janet Maslin noted that one of the film's "strongest assets" was Knopfler's "fine, expressive score". In her review in Boxoffice Magazine, Susan Green wrote, "This is a thoroughly satisfying little film with an exquisite Mark Knopfler score." In her review for iF Magazine, Etana Jacobson wrote that "Mark Knopfler's quirky Franco-Brit score adds without distracting." In his review for KillerMovies, Scott Renshaw wrote, "There's some nice atmosphere to Metroland, particularly from Mark Knopfler's silky score."
Read more about this topic: Metroland (soundtrack)
Famous quotes containing the words critical and/or reception:
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)