Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | |
The soundtrack generated generally positive reviews. In his review for AllMusic, Chuck Donkers gave the album three out of five stars, noting that Knopfler's music "nicely evokes the picture's wistful, nostalgic atmosphere." In his review in the Los Angeles Times, Kevin Thomas noted Knopfler's "evocative score". In her review for The New York Times, Janet Maslin noted that one of the film's "strongest assets" was Knopfler's "fine, expressive score". In her review in Boxoffice Magazine, Susan Green wrote, "This is a thoroughly satisfying little film with an exquisite Mark Knopfler score." In her review for iF Magazine, Etana Jacobson wrote that "Mark Knopfler's quirky Franco-Brit score adds without distracting." In his review for KillerMovies, Scott Renshaw wrote, "There's some nice atmosphere to Metroland, particularly from Mark Knopfler's silky score."
Read more about this topic: Metroland (soundtrack)
Famous quotes containing the words critical and/or reception:
“The disaster ... is not the money, although the money will be missed. The disaster is the disrespectthis belief that the arts are dispensable, that theyre not critical to a cultures existence.”
—Twyla Tharp (b. 1941)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)